Dust Bunny (2025) [Movie Review] — A Kick-Ass, Whimsical Action-Horror Fairy Tale

Movie Name: Dust Bunny

Director / Writer: Bryan Fuller

Stars: Mads Mikkelsen, Sophie Sloan, Sheila Atim, Rebecca Henderson, Sigourney Weaver, David Dastmalchian, Nóra Trokán, Caspar Phillipson, and more.

Rating: ★★★⯪☆ (3.5/5)

Overview — "Gremlins meets Leon, on acid"

An original, genre-bending blast that rewards imagination over formula

Bryan Fuller’s Dust Bunny is a wildly inventive mash-up: part fairy tale, part hit-man thriller, part childhood nightmare. At its heart is a simple, irresistible premise — a little girl (Sophie Sloan) is convinced the monster under her bed ate her parents, so she hires the grizzled neighbor (Mads Mikkelsen), a lone hitman, to kill it — and Fuller builds a whole eccentric world around that deadpan absurdity. The result is playful, dark, often hilarious, and visually spectacular.

Plot Snapshot — "A small girl, a big monster, and an unlikely protector"

Simple setup, joyful complications

The film wastes no time establishing stakes: loss, fear, and a child’s earnest logic. From that seed Fuller grows a story that moves between tender character moments and kinetic action. The narrative balances monster-movie thrills with bittersweet emotional beats — the bond that forms between Aurora (Sloan) and the neighbor is surprisingly touching — and Fuller leans into the fairy-tale logic so that the improbable never feels random.

Direction & Worldbuilding — "Fuller’s imagination on full display"

Meticulous production that turns every frame into a character

As both writer and director, Fuller’s fingerprint is unmistakable: sumptuous design, weirdly delightful creature work, and a tone that slides from eerie to whimsical without missing a beat. Production design and costumes are showstoppers — every location and prop seems chosen to delight and disorient. Sound and score amplify the film’s otherworldly flavor with playful cues and bone-deep dread when needed. Fuller’s eye makes Dust Bunny feel like a living storybook for grown-ups.

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Performances — "Small cast, huge heart"

Actors sell the film’s emotional core and absurd premise

Sophie Sloan is a revelation: fearless, funny, and heartbreakingly real as the child at the center of the chaos. Mads Mikkelsen, playing the taciturn neighbor, does what he does best — minimalistic, magnetic, and quietly funny. The chemistry between them gives the film its emotional spine. Sigourney Weaver chews scenery as the mysterious boss figure with relish, while Sheila Atim and David Dastmalchian offer memorable support. The minimal but perfectly cast ensemble keeps the focus tight and emotional stakes believable.

Tone & Genre — "A deliciously unstable cocktail"

Horror, action, comedy, and family drama coexist — and mostly harmonize

Dust Bunny thrives because it refuses to pick a lane. Its horror elements are filtered through a child’s imagination, so scares often arrive as quirky visuals rather than gore. Action sequences lean on choreography and character stakes rather than spectacle. And the comedy—often dark and absurd—lands because Fuller respects the audience’s willingness to be surprised. The film’s biggest risk — blending so many genres — largely pays off, though some viewers may find tonal swings jarring.

Weaknesses — "Ambition occasionally trips itself up"

Not every experiment lands perfectly

For all its creativity, the film sometimes overindulges in stylistic flourishes that slow momentum. A few subplots feel undercooked, and the movie’s delightful eccentricity occasionally threatens to overshadow clear narrative purpose. Still, those are small quibbles beside the film’s many pleasures.

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Final Verdict — "Original, heartfelt, and criminally underseen"

An imaginative crowd-pleaser that deserves more viewers

Dust Bunny is a rare original in a market of sequels and safe bets. It’s visually intoxicating, emotionally warm, often uproarious, and anchored by standout turns from Sophie Sloan and Mads Mikkelsen. If you relish films that take chances and reward empathy as much as spectacle, Fuller’s movie is a must-see. It isn’t flawless, but its heart, humor, and inventiveness make it a memorable ride.