Uraal (2025) [Movie Review] — A Small Film with a Big Heart

Director Jobaidur Rahman’s debut feature, Uraal, is a quiet, grounded drama that thrives on simplicity and sincerity. Written by Samrat Pramanik, the film captures the essence of small-town life in North Bengal with sensitivity and emotional depth. Released on August 1, 2025, this Bangladeshi drama doesn’t rely on grandeur or high drama; instead, it focuses on the fragile threads of friendship, love, and loss.

Plot and Narrative Depth

Uraal centers around three childhood friends — Bachchu (Santa Chandra Sutradhar), Ronju (Sohel Towfiq), and Moti (Mahafuj Munna) — whose bond faces an unexpected fracture when love and societal pressures collide. When Ronju falls for Kumkum (Kabyakatha), the daughter of local strongman K. M. Abrur Razzaque, the chain of events that follows quietly shakes their world.

Samrat Pramanik’s story, screenplay, and dialogue maintain a minimalist tone, asking a timeless question — why do childhood friends grow apart? Jobaidur Rahman doesn’t spoon-feed answers; instead, he allows the silences and pauses to do the heavy lifting. It’s a story that trusts its audience to feel rather than to be told.

Performances that Feel Real

The film’s biggest strength lies in its casting. Santa Chandra Sutradhar, Sohel Towfiq, and Mahafuj Munna share a lived-in camaraderie that makes their emotional rupture feel painfully real. Their performances are understated but truthful, carrying the film’s heart.

Kabyakatha, making her debut, is a revelation — restrained, natural, and deeply affecting. Her chemistry with her real-life mother, Karabi Das, who plays her on-screen mother, adds a genuine warmth to their scenes. The supporting cast complements the film’s quiet realism without slipping into melodrama.

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Cinematography and Music

Visually, Uraal is rich in texture. Ebad Aleem’s cinematography captures the earthy tones of Saidpur and Parbatipur with an almost documentary-like honesty — the dusty afternoons, the fading light, and the rustic architecture come alive with immersive realism.

Adding another layer is Khaiyyam Sanu Sandhi’s soulful score, which draws from Bangladeshi folk traditions while blending modern instrumentation. The music never overwhelms; it gently underscores the film’s emotions, allowing each scene to breathe.

Flaws That Don’t Break the Soul

While Uraal is sincere and heartfelt, it isn’t flawless. The pacing in the first act feels a bit sluggish, and the film occasionally lingers too long on atmosphere at the expense of narrative drive. Some supporting characters — particularly the local power figures — remain underdeveloped. K. M. Abrur Razzaque exudes presence, but his character lacks the complexity that could have made him more than a mere symbol of authority.

The emotional climax between the three friends, though touching, unfolds quietly and somewhat abruptly. The story ends with a sense of incompleteness — powerful in idea but missing that final emotional crescendo. It’s like savoring a meal of excellent appetizers, only to realize the main course never arrived.

A Quiet Political Undercurrent

Beyond its intimate story, Uraal subtly mirrors the sociopolitical pulse of modern Bangladesh — the youthful defiance, the protest against authority, and the yearning for dignity and justice. Rahman wisely avoids overt messaging; instead, these themes hum quietly beneath the surface, enriching the film’s emotional and cultural texture.

For a debut director, this balance between the personal and the political is ambitious and commendable. Uraal doesn’t tie up every thread neatly, but its willingness to take risks and trust its audience is what sets it apart.

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Final Verdict

Rating: ⭐⭐⭐ (3/5)

Uraal may not be a perfect film, but it is a profoundly honest one. Its imperfections — a few flat visual moments, uneven pacing, and loosely written subplots — are outweighed by its authenticity, heartfelt performances, and evocative sense of place.

If you’re looking for fast-paced storytelling, you may find Uraal slow. But if you’re drawn to quiet, human dramas that reflect real life and emotions, this film will stay with you long after the credits roll.

Uraal (2025) is a humble yet heartfelt cinematic journey — a small Bangladeshi film with a big emotional soul, proving that sometimes, simplicity can be the most powerful form of storytelling.